A man with a cap resting his arms on a large vintage camera.

STAN STREMBICKI

Art History Revisited

September 3 - October 25, 2025 | Gallery Talk with Stan Strembicki | Saturday, October 18, 2025 | 4 pm

Bruno David is pleased to present Art History Revisited, an exhibition of photographs by Stan Strembicki. This is the artist’s first solo exhibition with the gallery. In conjunction with the exhibition, Bruno David Gallery will publish a catalogue of the artist’s work with an in-depth exhibition history and bibliography.

Since his early days as an undergraduate art student, Stan Strembicki has been enveloped in the history of art. This initially started through Janson’s History of Art while in darkened rooms, looking at projected slides. Later, while teaching in Italy, as part of the Washington University program in Florence, he was able to experience these great works in person. Most recently, Strembicki made a pilgrimage to the Louvre, as no trip to Paris would be complete without it. He remarked after his visit that it was like a walking tour through Janson’s History.his early days as an undergraduate art student, Stan Strembicki has been enveloped in the history of art. This initially started through Janson’s History of Art while in darkened rooms, looking at projected slides. Later, while teaching in Italy, as part of the Washington University program in Florence, he was able to experience these great works in person. Most recently, Strembicki made a pilgrimage to the Louvre, as no trip to Paris would be complete without it. He remarked after his visit that it was like a walking tour through Janson’s History.

All curation of art history is skewed, as the curator or historian inherently creates a filtered reading of what is presented as the “important” works worth hanging on the walls or committing to memory in class. Strembicki’s work is about re-contextualizing his own experience with that history. He has done so through in-camera multiple exposure using contemporary models that overlay the original works. The source materials range from his own copy of Janson’s History to monographs found in secondhand bookstores. The images from these books are distressed and then photographed in his studio alongside the models used. These models often choose the images they are layered with. His end goal is to present a new reading of the source material, so the viewer might look at them and say, “I’m not sure I know the exact wok, but it looks familiar.” Strembicki’s models are real people, of all body types and ages, not necessarily the classical representation of the “ideal” or “perfect,” but with the grace and beauty that intrinsically resides in all forms of the human body.

Stan Strembicki was born in Providence, R.I. in 1952. He attended the University of Rhode Island as a theater student and only took photos as he thought it would be easier than drawing. In the course of this dodge, he met Professor Bart Parker the photo 1 instructor, who would become a lifelong inspiration and mentor. He transferred to the Art department and received his BFA in Photography and Studio Art in 1975. This turn of events has always reminded Strembicki that at any point, you can meet that one person who can make a pivotal difference in your life.

Strembicki’s work is exhibited widely in the USA and Europe and is part of major collections and museums in the Midwest and southern United States and on all seven continents. He has a long history with the city of New Orleans, having first visited the city in 1984. He has photographed the last 31 Mardi Gras events in New Orleans. His work on Post Katrina New Orleans began 30 days after the hurricane hit the city and continues to this day. His current work involves documenting the rebuilding of the lower 9th ward and the faith-based community there. In addition, Strembicki is currently an emeritus professor at Washington University, Sam Fox School of Design & Visual Arts. He currently lives in St. Louis with his wife of 50 years, Rosemary.

A handout with prices and photos is available on request
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CURRENT EXHIBITIONS
A woman standing behind and pressing her face and body against a glass surface, creating a distorted and layered reflection effect.

Francisco Goya - Manuel Osorio Manrique de Zúñiga/Naomi 2025 digital print on archival rag paper with pigmented inks 27 x 19.25 inches (68.58 x 48.89 cm) edition of 5 +1 AP

A reflection of a man with a beard and mustache, wearing a large black hat, appears on a weathered, scratched glass surface. The man is shirtless and has a tattoo on his upper arm.

Frans Hals/Alex 2025 digital print on archival rag paper with pigmented inks 27.25 x 19.25 inches (69.21 x 48.89 cm) edition of 5 +1 AP

Ancient Christian mosaic depicting Jesus Christ with a beard, wearing a robe, holding a book, and surrounded by a halo.

Byzantine 17th Century/Alex 2025 digital print on archival rag paper with pigmented inks 27 x 19.25 inches (68.58 x 48.89 cm) edition of 5 +1 AP

A digitally manipulated photograph showing multiple overlapping images of women resting and lying on a beach or sandy area, creating a layered, abstract composition.

Reclining Nude/Aimee 2025 digital print on archival rag paper with pigmented inks 19.25 x 27.25 inches (48.89 x 69.21 cm) edition of 5 +1 AP

A woman with red hair and a pensive expression appears to be looking downward. There is a superimposed, semi-transparent image of a carved wooden figure or sculpture, with a calm facial expression, resting on her chest. The background shows a window with a distant landscape and some artwork on the wall.

Hans Memling-Madonna and Baby/Becky 2025 digital print on archival rag paper with pigmented inks 27 x 19.25 inches (68.58 x 48.89 cm) edition of 5 +1 AP

Faded and worn image of Jesus Christ with a serene expression, with dirt and peeling paint on the surface.

Mary/Kate 2025 digital print on archival rag paper with pigmented inks 27 x 19.25 inches (68.58 x 48.89 cm) edition of 5 +1 AP

Classical style painting of three nude women lying in a wooded outdoor setting with greenery and trees.

Pierre-August Renoir - The Bathers/Susan 2025 digital print on archival rag paper with pigmented inks 15.25 x 29.50 inches (38.73 x 74.93 cm) edition of 5 +1 AP

Painted portrait of a nude woman with long gray hair lying on a textured surface, with a stylized background.

Paul Gauguin/Dona 2025 digital print on archival rag paper with pigmented inks 24.25 x 20 inches (61.59 x 50.80 cm) edition of 5 +1 AP

A portrait of a woman with short brown hair, resting her chin on her hand, against a textured brown background, with some artistic brushstroke effects.

Pierre-August Renoir/Kate 2025 digital print on archival rag paper with pigmented inks 25.50 x 19.50 inches (64.77 x 49.53 cm) edition of 5 +1 AP

A mixed media artwork combining a photograph of a topless woman with painted elements depicting a man in a tuxedo, creating an abstract portrait.

Pierre-August Renoir/Amanda 2025 digital print on archival rag paper with pigmented inks 24.25 x 20 inches (61.595 x 50.8 cm) edition of 5 +1 AP

Mixed media artwork featuring a realistic portrait of a woman with black hair and a serious expression, combined with a stylized, abstract background and line drawing of another woman in profile with her hand on her face, and a table with a glass and a wine glass.

Pablo Picasso - L'Arlequin et sa Compagne (Les deux Saltimbanques)/Toni 2025 digital print on archival rag paper with pigmented inks 25 x 20 inches (63.50 x 50.80 cm) edition of 5 +1 AP

A woman with long hair held back, sitting indoors, looking at the camera through a dirty or foggy window, with her arm crossed over her chest and a slight smile.

Marc Chagal/Angela 2025 digital print on archival rag paper with pigmented inks 27 x 19.25 inches (68.58 x 48.89 cm) edition of 5 +1 AP

A woman with dark hair styled in an updo, sitting outdoors on a wooden chair amidst green foliage, with a painted or digitally altered effect that makes the image look weathered and distressed.

Henri de Toulouse-Lautrec/Toni 2025 digital print on archival rag paper with pigmented inks 26.5 x 19.75 inches (67.31 x 50.16 cm) edition of 5 +1 AP

A woman with long hair, wearing glasses and a necklace with a peace sign pendant, looking at the camera. The image has a vintage, distressed appearance with visible cracks and scratches.

Leonardo da Vinci-Mona Lisa/Rebecca 2025 digital print on archival rag paper with pigmented inks 23.5 x 20 inches (59.65 x 50.80 cm) edition of 5 +1 AP

A layered or textured artwork featuring a woman with red hair, standing in a relaxed pose with arms outstretched, wearing a floral outfit, against a chaotic background with buildings and abstract elements.

Marc Chagall/Alessandra 2025 digital print on archival rag paper with pigmented inks 26.50 x 19 inches (81.28 x 49.53 cm) edition of 5 +1 AP

A woman with glasses sitting on a yellow chair outdoors, wearing a coat and a hat, with a blurred landscape of water and cliffs in the background.

Pierre-Auguste Renoir - Woman By The Seashore/Rebecca 2025 digital print on archival rag paper with pigmented inks 24.5 x 19.75 inches (62.23 x 50.16 cm) edition of 5 +1 AP

INSTALLATION VIEWS

An art gallery with eight framed portraits of women displayed on white walls, and a gray floor.
Five framed paintings of women hung on a white gallery wall.
Two framed art photographs hanging on a white gallery wall, depicting sculptures or painted figures in classical or mythological themes.
Three framed artwork pieces on a white gallery wall, featuring depictions of women.
Gallery with four framed portraits of women on a white wall.
Six framed portraits of women hang on a white gallery wall.
A gallery wall with five framed paintings of women, displayed on a white wall.
Gallery wall with four framed artworks, including portraits and abstract paintings, in a white-walled art gallery.
Four framed photographs of classical-style paintings displayed on a white gallery wall, featuring portraits of nude or semi-nude individuals.
Reflected image of a person taking a photo of a framed painting of a nude woman with short hair, sitting on a rock, holding a small object in her hand.