Adrian Alejandro Gonzalez (born 1987) is a Chapel Hill-based artist who works across printmaking, painting, and sculpture. Born in California, he has lived in Ecuador, Puerto Rico, New York, and Florida, and his work draws on Spanglish, the hybrid of Spanish and English spoken widely in the United States. The work looks at how Spanglish meets Latin and American culture, politics, music, slang, and popular media.
Gonzalez likens the improvised word-making of Spanglish to his studio process, building collage and assemblage paintings, sculptures, and prints from drawn, printed, painted, sculpted, and found elements; Tower of Bobo (2022) stacks papier-mâché baseball caps into a six-foot column. He calls many pieces “Bobos,” a word for knockoffs and off-brand goods, and his recent work on reproduction and knockoff culture draws on Ecuadorian monigotes, papier-mâché effigies burned during New Year’s celebrations.
Gonzalez received a BFA in drawing and printmaking from the University of Central Florida in 2011 and an MFA in visual art from Washington University in St. Louis in 2021, where he was a Chancellor’s Graduate Fellow, and attended the Skowhegan School of Painting and Sculpture in 2022. From 2011 to 2019 he was a master printer at Flying Horse Editions in Orlando, working with artists including Diana Al-Hadid and Toyin Ojih Odutola. He taught printmaking at the University of Florida from 2021 and is now an assistant professor of studio art at the University of North Carolina at Chapel Hill.
His work has been shown at the Mildred Lane Kemper Art Museum, the Harn Museum of Art, the Orlando Museum of Art, and the Print Center in Philadelphia, and featured in New American Paintings in 2023. He held a print residency at PS Marlowe in Asheville in 2024. In 2026 Wildlife Scramble, a warming hut he co-designed, was installed at The Forks in Winnipeg, and his solo exhibition Chuecos opened at Dragon Crab and Turtle in St. Louis. He first showed at Bruno David Gallery in the 2021 group exhibition Bilingual: Abstract & Figurative; his first solo exhibition there, Lonchando in the Grass (2022), was covered by Hypebeast and Ladue News, and he returned for the group exhibition OVERVIEW_2024.
SELECTED WORKS
Adrian Alejandro Gonzalez Estámos Clear, 2022 Acrylic, paper, muslin, screw, and flowers on canvas in frame 31 x 60 x 3 in. (78.7 x 152.4 x 7.6 cm)
Adrian Alejandro Gonzalez I Dream About You In Spanish, 2022 Acrylic, crayon, paper, glue on canvas in frame 31 x 42 x 4 1/2 in. (78.7 x 106.7 x 11.4 cm)
Adrian Alejandro Gonzalez Eniweis #1, 2022 Monotype 15 3/4 x 19 3/4 in. (40 x 50.2 cm)
Adrian Alejandro Gonzalez Eniweis #3, 2022 Monotype 15 3/4 x 19 3/4 in. (40 x 50.2 cm)
Adrian Alejandro Gonzalez Eniweis #4, 2022 Monotype 15 3/4 x 19 3/4 in. (40 x 50.2 cm)
Adrian Alejandro Gonzalez Eniweis #5, 2022 Monotype 15 3/4 x 19 3/4 in. (40 x 50.2 cm)
Adrian Alejandro Gonzalez Bonchinches, 2022 Papier-mâché, acrylic (9 elements) 15 1/2 x 35 1/2 x 5 in. (39.4 x 90.2 x 12.7 cm)
Adrian Alejandro Gonzalez Tower of Bobo, 2022 Papier-mâché, acrylic (36 elements) 72 x 13 x 13 in. (182.9 x 33 x 33 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Lonchando in the Grass
Solo exhibition
10 September – 22 October 2022
BRUNO DAVID GALLERY, ST. LOUIS
OVERVIEW_2024
Group exhibition
16 July – 6 September 2024
NEWS
GROUP EXHIBITION
In Our Time: 54th SA+AH Faculty Art Exhibition
Harn Museum of Art, Gainesville, September 2024
PUBLICATIONS
SELECTED PRESS
FEATURE
Spotlight Artist: Adrian Gonzalez
New American Paintings No. 166 (South), June 2023
FEATURE
Adrian Gonzalez Uses Spanglish to Create Artwork That Reflect Cultural Interactions
Hypebeast, Shawn Ghassemitari, September 2022