Andréa Stanislav (born 1968) is a New York-based sculptor and video artist who also makes multimedia installations, collages and public art. Born in Chicago, she divides her time between New York City and Bloomington, Indiana. Her work examines the architecture of empire and holds beauty and horror in tension, and much of it draws on Russian Cosmism, the philosophy rooted in Nikolai Fedorov’s late-19th-century thought, and on Soviet space exploration.
Her wall works embed digital photographs, cut vinyl, glitter and refractive films in epoxy resin on board; she describes them as light-activated. Many sculptures pair mirrored glass and steel with taxidermied animals. Surmatants – Mars Rising (2021), a three-channel video installation made during a Mattress Factory residency in Pittsburgh, responds to the COVID-19 pandemic in three acts, with music by Jesse Gelaznik and dances performed by the Tamburitzans. Her public project Reflect has been staged from Brooklyn to Moscow.
Stanislav received a BFA from the School of the Art Institute of Chicago (1990) and an MFA from Alfred University (1997).
After teaching at the University of Minnesota, Stanislav joined Indiana University Bloomington in 2018, where she is an associate professor of sculpture. Her awards include a McKnight Artists Fellowship (2010), a Foundation for Contemporary Arts grant (2021) and the 2015–16 Freund Teaching Fellowship at Washington University and the Saint Louis Art Museum, which led to her exhibition Currents 112: Convergence Infinité (2016). She has had solo exhibitions at the 21c Museum in Louisville and the Museum of Russian Art in Minneapolis and residencies at the Bemis Center and the Narva Art Residency, and her work is in collections including the Weisman Art Museum and the Museum of Cosmonautics in Moscow.
At Bruno David Gallery, her solo exhibition Cosmist Reconstructions ran from 18 November 2017 to 20 January 2018, with The Wishing Machine in the gallery’s Window on Forsyth, and the gallery later published a catalogue of the show with text by Masha Zavialova. She has since shown Blow Away (2020) and Surmatants – Mars Rising (2022) in the gallery’s New Media Room and has appeared there in group exhibitions including Small Worlds (2018) and ROUGE | RED (2021).
SELECTED WORKS
Andréa Stanislav Vanishing Points II, 2008 Mixed media 84 x 96 x 96 in. (213.4 x 243.8 x 243.8 cm)
Andréa Stanislav Champagne Supernova, 2013 Epoxy resin, polyester glitter, enamel paint on MDF board 95 x 142 x 3 in. (241.3 x 360.7 x 7.6 cm)
Andréa Stanislav Red Solaris, 2017 Epoxy resin, polyester glitter, enamel paint on MDF board 48 x 48 x 3 in. (121.9 x 121.9 x 7.6 cm)
Andréa Stanislav Solaris XVI, 2017 Epoxy resin, polyester glitter, enamel paint on MDF board 16 x 16 x 3 in. (40.6 x 40.6 x 7.6 cm)
Andréa Stanislav Tycho Magnetic Anomaly, 2012 Mirror acrylic, cast polyurethane, steel, MDF, epoxy resin, synthetic polyester fur, glass goat eyes 81 x 36 x 73 in. (205.7 x 91.4 x 185.4 cm)
Andréa Stanislav Pink Cube, 2014 Mirror, acrylic, wood, taxidermied bird 33 x 30 x 33 in. (83.8 x 76.2 x 83.8 cm)
Andréa Stanislav Rising, 2013 Taxidermied coyote and rabbit, mirrored glass, crystal, silver thread 96 x 22 x 22 in. (243.8 x 55.9 x 55.9 cm)
Andréa Stanislav Red Star, 2017 Taxidermied peacock, mirrored glass, vinyl letters 53 x 51 x 17 in. (134.6 x 129.5 x 43.2 cm)
Andréa Stanislav Someday Never Comes, 2014 Taxidermied ptarmigan, oak branch, refractive film, MDF board 24 x 23 x 40 in. (61 x 58.4 x 101.6 cm)
Andréa Stanislav Wild Horses, 2012 Rhinestones, polyurethane, glass eyes, mirror glass, electric motor 30 x 30 x 30 in. (76.2 x 76.2 x 76.2 cm)
Andréa Stanislav Shifter V, 2016 Epoxy resin, holographic film, refractive film, digital print 36 x 36 x 3 in. (91.4 x 91.4 x 7.6 cm)
Andréa Stanislav Ballerinas, Models and Cosmonauts XV, 2016 Epoxy resin, holographic film, refractive film, digital print 10 x 10 x 3 in. (25.4 x 25.4 x 7.6 cm)
Andréa Stanislav Ballerinas, Models and Cosmonauts XI, 2016 Epoxy resin, holographic film, refractive film, digital print 10 x 10 x 3 in. (25.4 x 25.4 x 7.6 cm)
Andréa Stanislav Dispersion / Heroes, 2014 Epoxy resin, holographic film, refractive film, digital print 24 x 24 x 3 in. (61 x 61 x 7.6 cm)
Andréa Stanislav Ballerinas, Models and Cosmonauts VIII, 2016 Epoxy resin, holographic film, refractive film, digital print 10 x 10 x 3 in. (25.4 x 25.4 x 7.6 cm)
Andréa Stanislav Shifter I (Catherine Deneuve), 2014 Epoxy resin, holographic film, refractive film, digital print 48 x 48 x 3 in. (121.9 x 121.9 x 7.6 cm)
Andréa Stanislav Seven Years in a Minor Chord II, 2023 Digital photos, cut vinyl and refractive films on flocked paper 24 x 18 in. (61 x 45.7 cm)
Andréa Stanislav Seven Years in a Minor Chord IV, 2023 Digital photos, cut vinyl and refractive films on flocked paper 20 x 20 in. (50.8 x 50.8 cm)
Andréa Stanislav Seven Years in a Minor Chord VII, 2023 Digital photos, cut vinyl and refractive films on glitter paper 12 x 24 in. (30.5 x 61 cm)
Andréa Stanislav Nostalgia for Earth I, 2020 Digital photos, cut vinyl and refractive films on flocked board 20 x 20 in. (50.8 x 50.8 cm)
Andréa Stanislav Nostalgia for Earth III, 2020 Digital photos, cut vinyl and refractive films on flocked board 20 x 20 in. (50.8 x 50.8 cm)
Andréa Stanislav Nostalgia for Earth II, 2018 Digital photos, cut vinyl and refractive films on flocked board 12 x 12 in. (30.5 x 30.5 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Surmatants – Mars Rising
Solo exhibition, New Media Room
26 March – 18 June 2022
BRUNO DAVID GALLERY, ST. LOUIS
Cosmist Reconstructions
Solo exhibition
18 November 2017 – 20 January 2018
NEWS
SOLO EXHIBITION
Solo exhibition at Melissa Morgan Fine Art
Melissa Morgan Fine Art, Palm Desert, January 2026
SCREENING
Surmatants – Mars Rising screened at Videoformes 2024
Espace Georges Conchon, Clermont-Ferrand, March 2024
PUBLICATIONS
SELECTED PRESS
INTERVIEW
Artist Andrea Stanislav Interviewed By Jimmy Steinfeldt
The Hollywood Times, Jimmy Steinfeldt, January 2026
FEATURE
When the world reopens, will art museums still be there?
National Geographic, Christine Spolar, December 2020
FEATURE
How Estonian-based artists are taking over the Russian border
Estonian World, Marian Männi, August 2022
PROFILE
Andrea Stanislav is Mattress Factory artist in residence — thanks to COVID-19
Pittsburgh Post-Gazette, Marylynne Pitz, May 2020
REVIEW
Minneapolis art exhibit tells a different sort of Russian fairy tale
Star Tribune, Alicia Eler, January 2022
VIDEO
Interview with Andréa Stanislav by Kerry Marks for HEC-TV
HEC-TV, Kerry Marks, November 2017