Andréa Stanislav

Andréa Stanislav, Red Solaris, 2017, epoxy resin, polyester glitter, enamel paint on MDF board
Andréa Stanislav in front of one of her wall installations

Andréa Stanislav (born 1968) is a New York-based sculptor and video artist who also makes multimedia installations, collages and public art. Born in Chicago, she divides her time between New York City and Bloomington, Indiana. Her work examines the architecture of empire and holds beauty and horror in tension, and much of it draws on Russian Cosmism, the philosophy rooted in Nikolai Fedorov’s late-19th-century thought, and on Soviet space exploration.

Her wall works embed digital photographs, cut vinyl, glitter and refractive films in epoxy resin on board; she describes them as light-activated. Many sculptures pair mirrored glass and steel with taxidermied animals. Surmatants – Mars Rising (2021), a three-channel video installation made during a Mattress Factory residency in Pittsburgh, responds to the COVID-19 pandemic in three acts, with music by Jesse Gelaznik and dances performed by the Tamburitzans. Her public project Reflect has been staged from Brooklyn to Moscow.

Stanislav received a BFA from the School of the Art Institute of Chicago (1990) and an MFA from Alfred University (1997).

After teaching at the University of Minnesota, Stanislav joined Indiana University Bloomington in 2018, where she is an associate professor of sculpture. Her awards include a McKnight Artists Fellowship (2010), a Foundation for Contemporary Arts grant (2021) and the 2015–16 Freund Teaching Fellowship at Washington University and the Saint Louis Art Museum, which led to her exhibition Currents 112: Convergence Infinité (2016). She has had solo exhibitions at the 21c Museum in Louisville and the Museum of Russian Art in Minneapolis and residencies at the Bemis Center and the Narva Art Residency, and her work is in collections including the Weisman Art Museum and the Museum of Cosmonautics in Moscow.

At Bruno David Gallery, her solo exhibition Cosmist Reconstructions ran from 18 November 2017 to 20 January 2018, with The Wishing Machine in the gallery’s Window on Forsyth, and the gallery later published a catalogue of the show with text by Masha Zavialova. She has since shown Blow Away (2020) and Surmatants – Mars Rising (2022) in the gallery’s New Media Room and has appeared there in group exhibitions including Small Worlds (2018) and ROUGE | RED (2021).

SELECTED WORKS

EXHIBITIONS

BRUNO DAVID GALLERY, ST. LOUIS

Surmatants – Mars Rising

Solo exhibition, New Media Room
26 March – 18 June 2022

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BRUNO DAVID GALLERY, ST. LOUIS

Cosmist Reconstructions

Solo exhibition
18 November 2017 – 20 January 2018

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NEWS

SOLO EXHIBITION

Solo exhibition at Melissa Morgan Fine Art

Melissa Morgan Fine Art, Palm Desert, January 2026

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SCREENING

Surmatants – Mars Rising screened at Videoformes 2024

Espace Georges Conchon, Clermont-Ferrand, March 2024

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SOLO EXHIBITION

Spinner’s Song

The Museum of Russian Art, Minneapolis, February 2024

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PUBLICATIONS

SELECTED PRESS

INTERVIEW

Artist Andrea Stanislav Interviewed By Jimmy Steinfeldt

The Hollywood Times, Jimmy Steinfeldt, January 2026

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FEATURE

When the world reopens, will art museums still be there?

National Geographic, Christine Spolar, December 2020

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FEATURE

How Estonian-based artists are taking over the Russian border

Estonian World, Marian Männi, August 2022

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PROFILE

Andrea Stanislav is Mattress Factory artist in residence — thanks to COVID-19

Pittsburgh Post-Gazette, Marylynne Pitz, May 2020

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REVIEW

Minneapolis art exhibit tells a different sort of Russian fairy tale

Star Tribune, Alicia Eler, January 2022

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VIDEO

Interview with Andréa Stanislav by Kerry Marks for HEC-TV

HEC-TV, Kerry Marks, November 2017

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