Bill Kohn (1931–2004) was a St. Louis-based painter who made large, brightly colored paintings of places he traveled to and studied. His subjects included small towns in Andalusia, the pyramids of Oaxaca, the fortress of Jaisalmer in India, Brunelleschi’s Duomo in Florence, the bridges of Paris, Machu Picchu, the Grand Canyon, Chicago and St. Louis. Working from observation, he pushed buildings and landscapes toward abstraction through saturated color, geometry and steep perspectives.
Kohn made pencil drawings and watercolors on site and developed subjects in the studio as acrylics on canvas, at times more than fifteen feet long. He also studied each place’s history, literature and music. From 2002 until his death he worked on the Grand Center Series, depicting historic and modern buildings around Grand Boulevard in St. Louis, among them the Masonic Temple and the Pulitzer Foundation for the Arts. He saw the district as a landscape that “embodies forces of creativity, decay, restoration, preservation, learning and innovation.”
A native of University City, Missouri, Kohn earned a bachelor’s degree in painting from Washington University in St. Louis in 1953, studied printmaking with Stanley William Hayter at Atelier 17 in Paris and received a master of arts from Mills College in Oakland, California, in 1960. He joined the Washington University School of Art faculty in 1963 and taught there for more than three decades, becoming professor emeritus of painting. A Fulbright grant took him to India in 1965–66, and sabbaticals later took him to Guadalajara, Seville and Oaxaca. He died in St. Louis on 13 November 2004.
Kohn had one-person exhibitions at the Saint Louis Art Museum, the University of Baroda in India and the Alcázar in Seville. In 2002 he had a retrospective at the Des Lee Gallery in St. Louis and received the Missouri Arts Award. His work is in collections including the Mildred Lane Kemper Art Museum, the Saint Louis Art Museum and the Springfield Art Museum. Bruno David Gallery presented Journey, from the Grand Center Series, in 2006, gouaches from the series in 2011 and Monumental Paintings in 2013. The gallery publishes catalogues of his work and represents the Bill Kohn Estate.
SELECTED WORKS
Bill Kohn Plumber’s Friend (Abstract Series), 1971 Ink and acrylic on canvas 60 x 42 in. (152.4 x 106.7 cm)
Bill Kohn Techos Uno (Mexico Series), 1980 Acrylic on canvas 74 x 84 in. (187.2 x 214 cm)
Bill Kohn Santa Teresa (Spain Series), 1986 Acrylic on canvas 23 1/2 x 12 1/2 in. (59.7 x 31.8 cm)
Bill Kohn North From The Pulitzer, 2003 Gouache on paper 22 x 30 in. (55.9 x 76.2 cm)
Bill Kohn Contemporary Museum and Masonic Temple, 2003 Gouache on paper 16 x 17 in. (40 x 43.8 cm)
Bill Kohn Joe (Grand Center Series), 2004 Acrylic on canvas 64 1/2 x 95 in. (163.8 x 241.3 cm)
Bill Kohn Pulitzer + Joe’s Shadow (Grand Center Series), 2004 Watercolor on paper 22 x 30 in. (58.4 x 76.2 cm)
Bill Kohn Masonic and Joe, 2004 Acrylic on canvas 63 x 95 in. (160 x 241.3 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Monumental Paintings
Solo exhibition
11 October – 26 October 2013
NEWS
GROUP EXHIBITION
Centering on the Grand: Bill Kohn, Peter Marcus, and Robert Pettus
Contemporary Art Museum St. Louis, St. Louis, June 2006
SOLO EXHIBITION
Bill Kohn: Shrines and Bill Kohn: A Retrospective
William & Florence Schmidt Art Center, Belleville, Illinois, September 2005
PUBLICATIONS
SELECTED PRESS
REVIEW
Review: Bill Kohn’s work sizzles at Bruno David
St. Louis Beacon, Sarah Hermes Griesbach, October 2013
FEATURE
Local author Bob Kohn examines a painting by his brother, Bill Kohn, with new book
St. Louis Beacon, Kristen Hare, October 2013
INTERVIEW
New Exhibition at Bruno David Gallery Celebrates Grand Scale of Bill Kohn Paintings
St. Louis Public Radio, October 2013
REVIEW
Review: Bruno David shows connect well
St. Louis Beacon, Ivy Cooper, November 2011
OBITUARY
Obituary: Kohn, professor emeritus in School of Art, 73
The Source (Washington University in St. Louis), Liam Otten, November 2004