Bunny Burson is a multimedia artist who works at the intersection of history, politics and science. Trained as a printmaker and influenced by conceptual art, she uses intaglio, woodblock, cast paper, artist’s books, video and sculpture.
Much of her work starts from family history. Letters her grandparents wrote between 1939 and 1941, as they tried to flee Nazi persecution, led to her 2012 exhibition and 2015 artist’s book Hidden in Plain Sight. After having her genome sequenced, she began working with chromosome imagery, in woodblock prints with 3D-printed elements and in The Common Code, a stainless-steel sculpture made with Leah Aegerter and shown at Anderson Ranch Arts Center. And Still I Rise (2017) used confetti left unused at Hillary Clinton’s 2016 election-night event.
Born in Memphis, Tennessee, Burson received a B.A. in French from Tulane University in 1970, including a year at the Sorbonne, a B.F.A. from the Memphis College of Art in 1981 and an M.F.A. from Washington University in St. Louis in 2005. She was executive director of the President’s Committee on the Arts and the Humanities under President Clinton.
Her sixth solo exhibition at Bruno David Gallery, everything that was…still is, opened in 2022; earlier ones included Consequences (2007) and Rise (2018). Collections include the Library of Congress, Pérez Art Museum Miami, the Saint Louis Art Museum and the Israel Museum. Awards include a 2010 residency at the Cité Internationale des Arts in Paris, the Sam Fox School’s Award for Distinction (2013) and Anderson Ranch’s Service to the Arts Award (2018).
SELECTED WORKS
Bunny Burson Confetti #1, 2022 Confetti, epoxy resin, acrylic on canvas 10 x 10 x 2 in. (25.4 x 25.4 x 5.7 cm)
Bunny Burson A language of my own, 2022 Intaglio on handmade paper 18 x 22 in. (45.7 x 55.9 cm), paper size
Bunny Burson Duchamp box, 2022 Mixed media, print, Japanese paper, wood 7 x 15 x 14 in. (17.8 x 38.7 x 35.6 cm)
Bunny Burson Her hand, 2014 Woodblock embossment 25 3/16 x 29 1/4 in. (64.1 x 74.3 cm)
Bunny Burson Codes clues connections (blue), 2020 Monoprint with 3D printed resin elements 37 x 30 in. (94.6 x 74.9 cm)
Bunny Burson Codes clues connections (green), 2020 Monoprint with 3D printed resin elements 37 x 30 in. (94.6 x 74.9 cm)
Bunny Burson Codes clues connections (red), 2020 Monoprint with 3D printed resin elements 37 x 30 in. (94.6 x 74.9 cm)
Bunny Burson Codes clues connections (yellow), 2020 Monoprint with 3D printed resin elements 37 x 30 in. (94.6 x 74.9 cm)
Bunny Burson Connecting generations, 2021 Relief print 13 x 17 in. (33 x 43.2 cm)
Bunny Burson Everything that was… still is 1, 2022 Woodblock print on paper with 3D printed resin elements 30 x 24 in. (76.8 x 61.6 cm)
Bunny Burson Everything that was… still is 2, 2022 Woodblock print on paper with 3D printed resin elements 30 x 24 in. (76.8 x 61.6 cm)
Bunny Burson Everything that was… still is, 2022 Woodblock print on paper with 3D printed resin elements 30 x 24 in. (76.8 x 61.6 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
everything that was…still is
Solo exhibition
10 September – 22 October 2022
NEWS
PUBLIC SCULPTURE
The Common Code, with Leah Aegerter, in the outdoor sculpture exhibition
Anderson Ranch Arts Center, Snowmass Village, Colorado, June 2026
MUSEUM EXHIBITION
Hidden in Plain Sight (2015) in New to the Museum: Prints, Drawings, and Photographs
Saint Louis Art Museum, St. Louis, April 2023
AWARD
Service to the Arts Award, shared with Charles Burson
Anderson Ranch Arts Center, Snowmass Village, Colorado, July 2018
PUBLICATIONS
SELECTED PRESS
INTERVIEW
Full Circle: A Conversation with Bunny Burson
Anderson Ranch Arts Center, November 2025
PRESS
Bunny Burson returns to St. Louis with new work celebrating family, art and faith
St. Louis Jewish Light, Jordan Palmer, September 2022
PRESS
The Unused Confetti From Hillary Clinton’s Election-Night Loss Is Now a Work of Art
artnet News, Sarah Cascone, July 2017
PRESS
Confetti meant to celebrate Hillary Clinton’s historic victory becomes art to inspire women
St. Louis Public Radio, Willis Ryder Arnold, July 2017
PRESS
Reflection: Letters hidden in plain sight generate a moving, transformative exhibition
St. Louis Beacon / St. Louis Public Radio, Robert W. Duffy, May 2012
REVIEW
Review: Burson reincarnates lost letters into artistic expression
St. Louis Beacon / St. Louis Public Radio, Katie Hasler, June 2012