Char Schwall (born 1964) is a Kansas City-based painter and fiber artist who works with curving, organic forms drawn from nature and the life sciences, returning often to images of water, growth and change. Her paintings are built from overlapping forms and layered color, and her textile pieces carry the same vocabulary into sewn and appliquéd fabric.
Her recent work pairs acrylic paintings on canvas with pieces sewn and appliquéd in chiffon, organza and cotton; newer works add crochet and hand-dyed cord, yarn and canvas. In them she considers the gendered associations of media and materials, and ideas of surface, fluidity and softness. Her 2021 exhibition Sea Lover included an installation of 18 sewn and appliquéd works. Earlier bodies of work include the Eat Me, Drink Me paintings (2007) and Source Confluence (2011), which a St. Louis review described as biomorphic abstractions focused on water and organic growth.
Schwall earned a BFA from the Kansas City Art Institute and an MFA from Washington University in St. Louis.
From 1993 to 2013 she was a studio teacher and pedagogista at The St. Michael School of Clayton in St. Louis, working with the Reggio Emilia approach to early childhood education. She co-edited and co-authored In the Spirit of the Studio: Learning from the Atelier of Reggio Emilia (Teachers College Press, 2005; second edition 2015) and has given keynote addresses at the Boise Art Museum and at Daegu National University of Education in South Korea.
Her work has been shown at the Daum Museum of Contemporary Art in Sedalia, Missouri; the Contemporary Art Museum St. Louis; the Quincy Art Center in Illinois, where she won Best of Show in the 2009 Biennial Quad-State Exhibition; the Kansas City Artists Coalition; and Webster University’s Cecille R. Hunt Gallery. She has held residencies at Anderson Ranch Arts Center, the Vermont Studio Center and the Ragdale Foundation. Schwall has shown with Bruno David Gallery since 2007, in group exhibitions including its OVERVIEW series and in four solo exhibitions, each with a catalogue: Eat Me, Drink Me (2007); Source Confluence (2011); Breaking, Splitting, Seaming (2017); and Sea Lover (2021).
SELECTED WORKS
Char Schwall Maternal Sea I Hand-dyed cotton cord, wool yarn and canvas 12 x 12 in. (30.5 x 30.5 cm)
Char Schwall Sea Lover II, 2020 Acrylic on canvas 38 x 36 in. (96.5 x 91.4 cm)
Char Schwall Nymphea II, 2020 Chiffon and cotton fabric 18 x 18 in. (45.7 x 45.7 cm)
Char Schwall Sea Lover V, 2024 Acrylic on canvas 38 x 36 in. (96.5 x 91.4 cm)
Char Schwall Nymphea IV, 2020 Cotton, chiffon and anti-slip fabric 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
Char Schwall Undine IV, 2020 Organza and cotton fabric 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
Char Schwall Sea Lover I, 2020 Acrylic on canvas 38 x 36 in. (96.5 x 91.4 cm)
Char Schwall Undine VI, 2020 Organza and cotton fabric 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
Char Schwall Nymphea III, 2020 Chiffon and cotton fabric 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
Char Schwall Sea Lover VII, 2020 Acrylic on canvas 38 x 36 in. (96.5 x 91.4 cm)
Char Schwall Genesis XII, 2020 Cotton, chiffon and anti-slip fabric 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
Char Schwall Sea Lover VI, 2020 Acrylic on canvas 38 x 36 in. (96.5 x 91.4 cm)
Char Schwall Becoming VII, 2020 Cotton, chiffon and anti-slip fabric 20 1/2 x 20 1/2 in. (52.1 x 52.1 cm)
EXHIBITIONS
NEWS
GROUP EXHIBITION
ThreadLine
Cecille R. Hunt Gallery, Webster University, St. Louis, February 2026
GROUP EXHIBITION
Inside/Outside Voices: Queer Abstraction
Kansas City Artists Coalition, Kansas City, March 2025
PUBLICATIONS
SELECTED PRESS
FEATURE
A Place of Overall Softness: Char Schwall’s New Fiber Art
Surface Design Journal, Anne Gatschet, December 2023