Charles P. Reay (born 1938) is a St. Louis-based multidisciplinary artist who makes sculptures, installations, assemblages, drawings and paintings that often start from found objects and familiar works of art history. In Persistance of Memory (2011), a dead mouse sits between the branches of a coral-like piece of wood, in place of Salvador Dalí’s melting clock. Tricycle Wheel (2013) answers Marcel Duchamp’s Bicycle Wheel (1913) with forms drawn from Ikea and the Big Wheel toy, and a 2022 installation reworks Piero della Francesca’s profile portraits of Federico da Montefeltro and Battista Sforza.
Reay works in a glass-walled studio on a wooded hillside, filled with collections, collages, toys, sketches, mannequins, maquettes and photographs that he has called “triggers for ideas.” The gallery describes the studio as a space removed from everyday routine, where he works by free association and trial and error, without fixed rules of taste or beauty. His installations carry that process into the gallery for viewers to explore.
Reay studied design at Washington University in St. Louis and spent time in Los Angeles with Charles Eames.
Reay spent 40 years at the St. Louis architecture firm HOK, where he came to specialize in museum and exhibit spaces, retiring around 2004. His projects include the Saint Louis Zoo’s Living World, the John Deere Pavilion in Illinois, the Silver Beach amusement center in Michigan and The Wild Center in Tupper Lake, New York, where he was lead designer of the 1999 master plan. He later designed the center’s Wild Walk, a treetop trail that opened in 2015.
Bruno David Gallery gave Reay his first solo exhibition, Metamorphosis, in May 2011, pairing a temporary version of his studio with a room of finished work. Then came 1913-2013 (December 2013 – January 2014), marking the centennial of Duchamp’s Bicycle Wheel; Trilogy (2019), three separate series of works; and Frederigo da Montefeltro and Battista Sforza (2022–23), a sculpture installation after Piero’s diptych in the Uffizi. In May 2023 he showed two new paintings at the gallery’s launch of Elizabeth Bernhardt’s book Genevra Sforza and the Bentivoglio. The gallery has published three catalogues of his work: Metamorphosis, Trilogy and Strats/DADADADA/Complications.
SELECTED WORKS
Charles P. Reay Auto violin, 2011 Mixed media 26 x 10 in. (66 x 25.4 cm)
Charles P. Reay Persistance of Memory, 2011 Mixed media 22 x 11 x 11 in. (55.9 x 27.9 x 27.9 cm)
Charles P. Reay Frederigo da Montefeltro, 2011 Aluminum foam 67 x 47 in. (170.2 x 119.4 cm)
Charles P. Reay WD50: Selections from a Tasting Menu, 2019 Gouache on foam and Sintra 30 in. (76.2 cm) diameter
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Frederigo da Montefeltro and Battista Sforza
Solo exhibition
10 September 2022 – 14 January 2023
NEWS
TALK
Book launch for Genevra Sforza and the Bentivoglio, with new paintings by Charles P. Reay
Bruno David Gallery, St. Louis, May 2023
COMMISSION
Wild Walk, a treetop trail designed by Charles P. Reay, opens
The Wild Center, Tupper Lake, New York, July 2015
PUBLICATIONS
SELECTED PRESS
PROFILE
The seriously playful mind of artist Chip Reay
St. Louis Public Radio, Nancy Fowler, May 2011
FEATURE
Inside the studio of artist Charles “Chip” Reay
St. Louis Magazine, Jenny Agnew, August 2017
PRESS
Wild Walk is a treetop trail that rises above a forest in Upstate New York
Dezeen, September 2015