Christina Shmigel (born 1958) is a St. Louis-based sculptor who makes installations, sculpture and drawings about how a place’s character shows in its material culture. Born in New York City to Ukrainian immigrant parents, she grew up between cultures and languages and became an observer of cultural cues. Her subjects include pipes and plumbing, Chinese gardens, the improvised buildings and recyclers of Shanghai, and rural American water towers.
Shmigel combines hand-made objects with unaltered found components and uses shifts of scale and viewpoint so that her installations unfold slowly; she has likened them to a theater in which viewers become players. She works in steel, wood, cardboard, paint, plumbing parts and found furniture. From 2004 to 2017 she lived and worked in Shanghai, which became her main subject. She now keeps studios in St. Louis and Bakersville, North Carolina.
Shmigel earned a BFA in painting from the Rhode Island School of Design (1980), an MFA in sculpture from Brooklyn College (1987) and an MFA in metals from Southern Illinois University Carbondale (1993).
Shmigel taught at the University of Southwestern Louisiana (1987–90) and was associate professor of sculpture at Webster University in St. Louis (1995–2005). A resident artist at Penland School of Craft in North Carolina from 1993 to 1995, she has taught there often and is a former trustee.
She has had solo shows at the Saint Louis Art Museum (2002), Laumeier Sculpture Park (2005), the Duolun Museum of Modern Art in Shanghai (2006), Hillyer Art Space in Washington, D.C. (2016), Penland Gallery (2017) and Webster University’s Cecille R. Hunt Gallery (2025), and she took part in CIM at The Ukrainian Museum in New York (2016–17). Bruno David Gallery represents Shmigel. Her exhibitions there include This City, Daily Rising (2011), three installations about Shanghai centered on an antique Chinese medicine cabinet; In Our Town (2020), steel water towers in the Window on Forsyth that marked her return to St. Louis; and Little Pink (2024), a two-person show with Nianci Li, whose short film records Shmigel’s performance with a bicycle loaded with laser-cut cardboard. The gallery published catalogues for This City, Daily Rising and In Our Town.
SELECTED WORKS
Christina Shmigel In Our Town #2, 2020 Steel, light mill scale 43 x 13 x 13 in. (109.2 x 33 x 33 cm)
Christina Shmigel In Our Town #4, 2020 Steel, black patina 18 1/4 x 7 x 7 in. (46.4 x 17.8 x 17.8 cm)
Christina Shmigel In Our Town #9, 2020 Steel, rust patina, Prismacolor 18 1/4 x 7 x 7 in. (46.4 x 17.8 x 17.8 cm)
Christina Shmigel In Our Town #12, 2020 Steel, patina 18 1/4 x 7 x 7 in. (46.4 x 17.8 x 17.8 cm)
Christina Shmigel Load, 2021 Glass vitrine, wire tourist toy, cardboard, milk paint, furniture (2 elements) 42 1/2 x 24 x 17 in. (108 x 61 x 43.2 cm)
Christina Shmigel The City in Which I Love You: Untitled 2, 2011 Mixed media 18 x 11 x 9 in. (45.7 x 27.9 x 22.9 cm)
Christina Shmigel The View in Fragments: Auspicious Phone #, 2011 Mixed media 13.5 x 14.3 x 8.9 in. (34.3 x 36.3 x 22.6 cm)
Christina Shmigel The View in Fragments: Recycler, 2011 Mixed media 8 1/2 x 12 3/4 x 6 1/4 in. (21.6 x 32.4 x 15.9 cm)
Christina Shmigel Field of Awareness (installation view), 2025 New York Times pages, gouache, latex paint, latex, Bic ballpoint pen, metal and wood clips, string; fiberglass well rock covered in mulberry paper, Bic ballpoint pen
Christina Shmigel This frightened, blasted, beautiful tender world, just as it is (installation view), 2022 Laser-cut cardboard, tin cans, Styrofoam, toy bicycle and other materials
Christina Shmigel Shanghai Archive (formerly Foreigner’s Cabinet of Chinese Curiosities), 2006–2018 Traditional Chinese Medicine apothecary cabinet with 67 drawers containing found and fabricated artifacts, various materials 79 x 60 1/2 x 22 1/2 in. (200.7 x 153.7 x 57.2 cm)
Christina Shmigel Garden Borrowing the View from Afar (installation view), 2017 Fiberglass well rocks, wire, glass cullet, mirror, rubber dip, washi tape and other materials
Christina Shmigel Chinese Garden for the Delights of Roaming Afar (Hut), 2005 Mixed media
Christina Shmigel Bus Shelter Pipe Dreams, 2003 Forged and fabricated steel, plumbing fixtures, wooden facsimile of a city bus shelter
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
In Our Town
Solo exhibition, Window on Forsyth
29 February – 18 April 2020
BRUNO DAVID GALLERY, ST. LOUIS
Nianci Li & Christina Shmigel: Little Pink
Group exhibition
7 February – 30 March 2024
NEWS
SOLO EXHIBITION
Field of Awareness
Cecille R. Hunt Gallery, Webster University, Webster Groves, January 2025
SOLO EXHIBITION
this blasted tender beautiful world, just as it is
M-AAA Culture Lab, Mid-America Arts Alliance, Kansas City, August 2024
INSTALLATION
Water Tower installed at Penland School of Craft
Penland School of Craft, Penland, North Carolina, September 2023
PUBLICATIONS
SELECTED PRESS
REVIEW
Review: Shmigel brings Shanghai to life
St. Louis Beacon (St. Louis Public Radio), Ivy Cooper, February 2011
PRESS
New exhibition of contemporary art opens at The Ukrainian Museum in New York
Artdaily, December 2016
INTERVIEW
Lively Awareness of Ourselves: Q&A With Christina Shmigel
IA&A at Hillyer, April 2016