Christina Shmigel

Christina Shmigel, Shanghai Archive (formerly Foreigner’s Cabinet of Chinese Curiosities), 2006–2018, apothecary cabinet with 67 drawers of found and fabricated artifacts
Christina Shmigel with one of her steel water towers

Christina Shmigel (born 1958) is a St. Louis-based sculptor who makes installations, sculpture and drawings about how a place’s character shows in its material culture. Born in New York City to Ukrainian immigrant parents, she grew up between cultures and languages and became an observer of cultural cues. Her subjects include pipes and plumbing, Chinese gardens, the improvised buildings and recyclers of Shanghai, and rural American water towers.

Shmigel combines hand-made objects with unaltered found components and uses shifts of scale and viewpoint so that her installations unfold slowly; she has likened them to a theater in which viewers become players. She works in steel, wood, cardboard, paint, plumbing parts and found furniture. From 2004 to 2017 she lived and worked in Shanghai, which became her main subject. She now keeps studios in St. Louis and Bakersville, North Carolina.

Shmigel earned a BFA in painting from the Rhode Island School of Design (1980), an MFA in sculpture from Brooklyn College (1987) and an MFA in metals from Southern Illinois University Carbondale (1993).

Shmigel taught at the University of Southwestern Louisiana (1987–90) and was associate professor of sculpture at Webster University in St. Louis (1995–2005). A resident artist at Penland School of Craft in North Carolina from 1993 to 1995, she has taught there often and is a former trustee.

She has had solo shows at the Saint Louis Art Museum (2002), Laumeier Sculpture Park (2005), the Duolun Museum of Modern Art in Shanghai (2006), Hillyer Art Space in Washington, D.C. (2016), Penland Gallery (2017) and Webster University’s Cecille R. Hunt Gallery (2025), and she took part in CIM at The Ukrainian Museum in New York (2016–17). Bruno David Gallery represents Shmigel. Her exhibitions there include This City, Daily Rising (2011), three installations about Shanghai centered on an antique Chinese medicine cabinet; In Our Town (2020), steel water towers in the Window on Forsyth that marked her return to St. Louis; and Little Pink (2024), a two-person show with Nianci Li, whose short film records Shmigel’s performance with a bicycle loaded with laser-cut cardboard. The gallery published catalogues for This City, Daily Rising and In Our Town.

SELECTED WORKS

EXHIBITIONS

BRUNO DAVID GALLERY, ST. LOUIS

In Our Town

Solo exhibition, Window on Forsyth
29 February – 18 April 2020

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BRUNO DAVID GALLERY, ST. LOUIS

Nianci Li & Christina Shmigel: Little Pink

Group exhibition
7 February – 30 March 2024

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NEWS

SOLO EXHIBITION

Field of Awareness

Cecille R. Hunt Gallery, Webster University, Webster Groves, January 2025

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SOLO EXHIBITION

this blasted tender beautiful world, just as it is

M-AAA Culture Lab, Mid-America Arts Alliance, Kansas City, August 2024

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INSTALLATION

Water Tower installed at Penland School of Craft

Penland School of Craft, Penland, North Carolina, September 2023

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PUBLICATIONS

SELECTED PRESS

PRESS

In Our Town

Meer, February 2020

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REVIEW

Review: Shmigel brings Shanghai to life

St. Louis Beacon (St. Louis Public Radio), Ivy Cooper, February 2011

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PRESS

New exhibition of contemporary art opens at The Ukrainian Museum in New York

Artdaily, December 2016

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REVIEW

Make-Over

Artforum, Robin Peckham, February 2010

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INTERVIEW

Lively Awareness of Ourselves: Q&A With Christina Shmigel

IA&A at Hillyer, April 2016

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REVIEW

Christina Shmigel

Sculpture, Ivy Cooper, March 2006

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