Cindy Tower is a Branford- and San Antonio-based painter who makes “Combine” paintings, joining paint with old dresses and other discarded clothing and with materials gathered from landfills, thrift shops and sites damaged by natural disasters. The term comes from Robert Rauschenberg, who used it in the 1950s for paintings that incorporate three-dimensional objects; like his, her works sit between painting and sculpture. Their imagery is largely landscape-based and often autobiographical.
The work addresses consumption, waste, obsolescence and loss, and Tower presents the reuse of discarded goods as an optimistic act. Recycling has long been part of her practice: her 1998 exhibition Pirate Cindy, reviewed in Art in America, included a pirate ship built from the parts of her worn-out pickup truck. From 2005 she painted on location inside abandoned factories in and around St. Louis and East St. Louis. She has also made protest installations and community happenings supporting racial, gender and housing equality, animal rights and climate awareness.
Born in Alamogordo, New Mexico, Tower received a BFA from Cornell University in 1980 and an MFA from the University of California, San Diego, in 1988, where she studied with Eleanor Antin and Allan Kaprow. She was part of the early Williamsburg art scene in Brooklyn in the 1980s. She was a visiting assistant professor of painting at Washington University in St. Louis from 2005 to 2008 and has also taught at Hamilton College, the New York Studio School and the Savannah College of Art and Design.
Her solo exhibitions include Westward Expansion Inwards at the New Museum, New York (1994), and Riding the Rubble Down at the Sheldon Art Galleries, St. Louis (2009). Newcity critic Pedro Vélez named her 2013 exhibition Nest Egg, at Good Citizen Gallery in St. Louis, his top pick of the year for Chicago and the Midwest. In 2024 her work was included in No Bodies: Clothing as Disruptor at Real Art Ways, Hartford, and the Hudson River Museum, Yonkers. Bruno David Gallery, which represents Tower, has given her three solo exhibitions: Decadense (2010); Road Show (2014), the first exhibition at the gallery’s second space, Bruno David Projects; and Good Will Combines (2022).
SELECTED WORKS
Cindy Tower Cloak of Moon and Stars, 2021 Mixed media 69 1/2 x 61 x 9 in. (176.5 x 154.9 x 22.9 cm)
Cindy Tower Crescent, 2019 Mixed media 20 x 16 x 2 1/2 in. (50.8 x 40.6 x 6.4 cm)
Cindy Tower Pink Bra, 2021 Mixed media 20 x 16 x 3 in. (50.8 x 40.6 x 7.6 cm)
Cindy Tower Curtain Rise, 2019 Mixed media 24 x 18 3/4 x 4 1/2 in. (61 x 47.6 x 11.4 cm)
Cindy Tower Driveway, 2020 Mixed media 60 x 50 x 6 in. (152.4 x 127 x 15.2 cm)
Cindy Tower Cherry, 2022 Mixed media 77 x 50 x 12 1/2 in. (195.6 x 127 x 31.8 cm)
Cindy Tower Ensor Ghoul with Covid, 2021 Mixed media 57 x 62 x 5 in. (144.8 x 157.5 x 12.7 cm)
Cindy Tower Saturn, 2021 Mixed media 66 1/2 x 24 x 4 1/2 in. (168.9 x 61 x 11.4 cm)
Cindy Tower Sunset Over Bathrobe, 2021 Mixed media 85 x 38 x 7 in. (215.9 x 96.5 x 17.8 cm)
Cindy Tower Paper, Scissors, Rock, 2021 Mixed media 45 x 31 1/2 x 6 in. (114.3 x 80 x 15.2 cm)
Cindy Tower Green Spot, 2022 Mixed media 84 x 61 x 10 in. (213.4 x 154.9 x 25.4 cm)
Cindy Tower Sunset Over Zuwalicks, 2024 Mixed media 60 x 50 x 6 in. (152.4 x 127 x 15.2 cm)
Cindy Tower West Crib Full Moon, 2021 Mixed media 30 1/2 x 29 x 5 in. (77.5 x 73.7 x 12.7 cm)
Cindy Tower Plane View, 2022 Mixed media 74 x 76 x 3 in. (188 x 193 x 7.6 cm)
Cindy Tower Sun, 2019 Mixed media 56 x 20 x 4 1/2 in. (142.2 x 50.8 x 11.4 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Good Will Combines
Solo exhibition
26 March – 18 June 2022
NEWS
GROUP EXHIBITION
No Bodies: Clothing as Disruptor
Hudson River Museum, Yonkers, September 2024
GROUP EXHIBITION
A Story Unfolding: Selections from the Nancy and Ken Kranzberg Collection
St. Louis County Library–Clark Family Branch, St. Louis, July 2024
PUBLICATIONS
SELECTED PRESS
VIDEO
Cindy Tower at Bruno David Gallery St. Louis
EMS Legacy Films, Eric Minh Swenson, May 2022
PRESS
Eye Exam: My Top Art Picks for Chicago and the Midwest 2013
Newcity Art, Pedro Vélez, December 2013
REVIEW
Review: Three shows, three visions, of loss and possibility
St. Louis Beacon, Ivy Cooper, March 2010