Cindy Tower

Cindy Tower, Cloak of Moon and Stars, 2021, mixed media
Cindy Tower in front of one of her paintings

Cindy Tower is a Branford- and San Antonio-based painter who makes “Combine” paintings, joining paint with old dresses and other discarded clothing and with materials gathered from landfills, thrift shops and sites damaged by natural disasters. The term comes from Robert Rauschenberg, who used it in the 1950s for paintings that incorporate three-dimensional objects; like his, her works sit between painting and sculpture. Their imagery is largely landscape-based and often autobiographical.

The work addresses consumption, waste, obsolescence and loss, and Tower presents the reuse of discarded goods as an optimistic act. Recycling has long been part of her practice: her 1998 exhibition Pirate Cindy, reviewed in Art in America, included a pirate ship built from the parts of her worn-out pickup truck. From 2005 she painted on location inside abandoned factories in and around St. Louis and East St. Louis. She has also made protest installations and community happenings supporting racial, gender and housing equality, animal rights and climate awareness.

Born in Alamogordo, New Mexico, Tower received a BFA from Cornell University in 1980 and an MFA from the University of California, San Diego, in 1988, where she studied with Eleanor Antin and Allan Kaprow. She was part of the early Williamsburg art scene in Brooklyn in the 1980s. She was a visiting assistant professor of painting at Washington University in St. Louis from 2005 to 2008 and has also taught at Hamilton College, the New York Studio School and the Savannah College of Art and Design.

Her solo exhibitions include Westward Expansion Inwards at the New Museum, New York (1994), and Riding the Rubble Down at the Sheldon Art Galleries, St. Louis (2009). Newcity critic Pedro Vélez named her 2013 exhibition Nest Egg, at Good Citizen Gallery in St. Louis, his top pick of the year for Chicago and the Midwest. In 2024 her work was included in No Bodies: Clothing as Disruptor at Real Art Ways, Hartford, and the Hudson River Museum, Yonkers. Bruno David Gallery, which represents Tower, has given her three solo exhibitions: Decadense (2010); Road Show (2014), the first exhibition at the gallery’s second space, Bruno David Projects; and Good Will Combines (2022).

SELECTED WORKS

EXHIBITIONS

BRUNO DAVID GALLERY, ST. LOUIS

Good Will Combines

Solo exhibition
26 March – 18 June 2022

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BRUNO DAVID PROJECTS, ST. LOUIS

Road Show

Solo exhibition
October 2014

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NEWS

GROUP EXHIBITION

No Bodies: Clothing as Disruptor

Hudson River Museum, Yonkers, September 2024

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GROUP EXHIBITION

A Story Unfolding: Selections from the Nancy and Ken Kranzberg Collection

St. Louis County Library–Clark Family Branch, St. Louis, July 2024

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GROUP EXHIBITION

Untitled: June 2024

FLIGHT Gallery, San Antonio, June 2024

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PUBLICATIONS

SELECTED PRESS

VIDEO

Cindy Tower at Bruno David Gallery St. Louis

EMS Legacy Films, Eric Minh Swenson, May 2022

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PRESS

Eye Exam: My Top Art Picks for Chicago and the Midwest 2013

Newcity Art, Pedro Vélez, December 2013

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PRESS

Cindy Tower. Good Will Combines

MEER, April 2022

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REVIEW

Cindy Tower at Bruno David Gallery

Student Life, Chris Willcox, March 2010

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TV

New Exhibits at Bruno David Gallery

HEC-TV, Paul Langdon, April 2022

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REVIEW

Review: Three shows, three visions, of loss and possibility

St. Louis Beacon, Ivy Cooper, March 2010

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