Mario Trejo (born 1979) is a Seattle-based painter who builds dense compositions from hundreds of thousands of small, quickly drawn marks, most often irregular circles in archival ink. Seen up close, the fields read as chaotic; from a distance they resolve into ordered forms that can suggest both cosmic and microscopic matter. Trejo was born and raised in St. Louis.
He works on wood panel, combining archival ink with enamel, acrylic, gesso and pencil, and in some recent works clay or phosphorus paint. In his earlier work he often limited his palette to black and white; the small works shown as Catharsis in 2009 were made by scratching into a black field of acrylic and ink. Trejo describes each hand-drawn circle as an imperfect attempt at a perfect form, and the accumulated marks as a record of repeated physical effort, tied to ideas of time, space, number and eternity. He has called the work a metaphor for “the fragile imperium under which we all reside.”
Trejo received a BFA from the School of the Art Institute of Chicago in 2005 and an MFA from the San Francisco Art Institute in 2008.
Trejo’s work was included in New American Paintings No. 83 (Midwest edition, 2009). He has had solo exhibitions at the Elmhurst Art Museum in Illinois (2012), Herringer Kiss Gallery in Calgary, Koki Arts in Tokyo, which showed Eternity in 2013, and K. Imperial Fine Art in San Francisco, which presented Sentients in 2018. Koki Arts has also shown his work at the Seattle Art Fair. His painting Machine is in the City of Seattle’s collection, as part of the Seattle Public Utilities 1% for Art Portable Works Collection.
Trejo has shown with Bruno David Gallery since 2009, when the gallery presented Catharsis in its Front Room, with an accompanying catalogue. Centered followed in the Front Room in 2011, and his CV lists further solo exhibitions at the gallery in 2013 (Projected Edifices) and 2014 (Overview). In 2023 the gallery presented Idiosyncratic Tantrums (10 March – 22 April 2023), also documented in a catalogue, followed by Within, shown in the gallery’s Window on Forsyth vitrine in Clayton.
SELECTED WORKS
Mario Trejo Two Spirits, 2018 Archival ink, acrylic, enamel, phosphorus paint on wood panel 48 x 36 in. (121.9 x 91.4 cm)
Mario Trejo No Answers, 2018–2021 Archival ink, enamel, acrylic on wood panel 24 x 18 in. (61 x 45.7 cm)
Mario Trejo Within, 2019 Archival ink, enamel, pencil, ink on wood panel 48 x 36 in. (121.9 x 91.4 cm)
Mario Trejo Eon LIV, 2019 Archival ink, enamel, pencil, ink on wood panel 24 x 18 in. (61 x 45.7 cm)
Mario Trejo The Majesty of Cruelty, 2019 Archival ink, enamel, acrylic on wood panel 14 x 11 in. (35.6 x 27.9 cm)
Mario Trejo Illuminated Idiosyncratic Manifestations IV, 2020 Archival ink, enamel, acrylic and gesso on wood panel 24 x 18 in. (61 x 45.7 cm)
Mario Trejo The Accumulation of Thousands of Ideas, Fears, and Triumphs into the Grand Edifice II, 2021–2022 Archival ink, clay and acrylic on wood panel 10 x 8 in. (25.4 x 20.3 cm)
Mario Trejo The Accumulation of Thousands of Ideas, Fears, and Triumphs into the Grand Edifice III, 2021–2022 Archival ink, clay and acrylic on wood panel 10 x 8 in. (25.4 x 20.3 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Idiosyncratic Tantrums
Solo exhibition
10 March – 22 April 2023
NEWS
ART FAIR
Seattle Art Fair 2018, Koki Arts booth
CenturyLink Field Event Center, Seattle, August 2018
PUBLICATIONS
SELECTED PRESS
REVIEW
Review: Bruno David shows connect well
St. Louis Public Radio, Ivy Cooper, November 2011
REVIEW
Review: Shows at Bruno David and Sheldon celebrate American interiors, Barbie and catharsis
St. Louis Public Radio, Ivy Cooper, March 2009