Monika Weiss (born 1964) is a New York- and St. Louis-based transdisciplinary artist and composer who works across sound, film, drawing, performance and installation. Her work addresses public and private memory—what she calls “unforgetting”—through the body, water, classical myth and lament, and much of her recent work is dedicated to victims of gendered violence.
Weiss builds her compositions from her own piano improvisations and voices, and makes drawings with graphite powder, water, resin, latex and dry pigment, each completed without interruption. Since 2015 she has developed Nirbhaya, an ongoing body of work on gendered violence and lament, and the related Metamorphosis works, which draw on the myth of Daphne. In 2024 Laumeier Sculpture Park in St. Louis commissioned Metamorphosis (Sound Sculpture), two steel columns that play a 35-minute composition, and a related cast-iron sound sculpture, Metamorphosis – Przemiana, entered the permanent collection of the Centre of Polish Sculpture in Orońsko, Poland.
Born in Warsaw, Weiss trained as a classical pianist at the Warsaw School of Music and earned an MFA from the Academy of Fine Arts in Warsaw in 1989. A residency at the Experimental Intermedia Foundation in New York in the early 2000s led to her permanent move to the United States. Since 2011 she has taught at the Sam Fox School of Design & Visual Arts at Washington University in St. Louis, where she is professor of art and co-coordinator of time-based media art.
She has had solo museum exhibitions at the Centre for Contemporary Art Ujazdowski Castle in Warsaw (2010), the Museum of Memory and Human Rights in Santiago, Chile (2012–13) and the Patricia and Phillip Frost Art Museum in Miami (2014). Her work is in collections including the Albertina in Vienna and the Frost Art Museum, and she has received fellowships from the New York Foundation for the Arts (2009) and the New York State Council on the Arts (2023). Weiss has had two solo exhibitions at Bruno David Gallery: Abiding (Próba Wody), a performance-based video from 1999–2000, in 2012, and Metamorphosis | Nirbhaya, a 30-minute film and sound work viewed by one person at a time, in 2021–22.
SELECTED WORKS
Monika Weiss Metamorphosis | Nirbhaya (Film Still Close Up #5), 2020–21 Archival pigment print 25 x 35 15/16 in. (63.5 x 91.3 cm)
Monika Weiss Metamorphosis | Nirbhaya (Film Still Close Up #2), 2020–21 Archival pigment print 25 x 35 15/16 in. (63.5 x 91.3 cm)
Monika Weiss Metamorphosis | Nirbhaya, 2021 Video and sound
Monika Weiss Lethe-Medusa II, 2023 Graphite powder, water, resin, pencil and dry pigment on rice paper
Monika Weiss Lethe IV, 2022 Graphite powder, water, resin, pencil and dry pigment on rice paper 32 x 22 in. (81.3 x 55.9 cm)
Monika Weiss Metamorphosis III, 2021 Graphite powder, water, resin, pencil and dry pigment on paper 32 x 22 in. (81.3 x 55.9 cm)
Monika Weiss Metamorphosis V, 2021 Graphite powder, water, resin, pencil and dry pigment on paper 32 x 22 in. (81.3 x 55.9 cm)
Monika Weiss Nirbhaya XXI, 2020 Rubber latex, charcoal, graphite powder and dry pigment on paper 32 x 22 in. (81.3 x 55.9 cm)
Monika Weiss Nirbhaya I, 2015 Rubber latex, charcoal, graphite powder and dry pigment on paper 32 x 22 in. (81.3 x 55.9 cm)
Monika Weiss Two Laments (Lament I), 2015 Charcoal, dry pigment and graphite on newsprint mounted on watercolor paper 22 x 32 in. (55.9 x 81.3 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Metamorphosis | Nirbhaya
Solo exhibition, New Media Room
19 November 2021 – 5 March 2022
LAUMEIER SCULPTURE PARK, ST. LOUIS
Metamorphosis (Sound Sculpture)
Solo exhibition
24 August 2024 – 24 August 2025
NEWS
PUBLICATIONS
SELECTED PRESS
PRESS
Weiss featured in New York exhibitions, concert
The Source (WashU), Liam Otten, August 2025
REVIEW
Four Exhibitions At Bruno David Gallery
Caesura Magazine, Del O’Brien, March 2022