Patricia Olynyk

Patricia Olynyk, Black Swan in Three Variations, 2025, digital pigment print on archival paper
Portrait of Patricia Olynyk

Patricia Olynyk is a New York- and St. Louis-based multimedia artist who makes photographs, prints, videos and installations about science, technology and the ways social and institutional systems shape how people understand the body and nature. Born in Canada, she often works with scientists, humanists and engineers on “third culture” projects, creating environments that make viewers aware of their own bodies and surroundings.

Much of the work uses microscopy and biomedical imaging to unsettle the viewer’s sense of scale. Sensing Terrains paired electron micrographs of tissue with photographs of Japanese gardens, and Oculus (2018) is a light sculpture based on a fruit fly’s eye. The Mutable Archive starts from human specimens collected by the 19th-century anatomist Josef Hyrtl, with writers and performers voicing speculative biographies of their subjects. Black Swan in Three Variations, a three-channel video made with Adam Hogan, draws on Nassim Nicholas Taleb’s ideas about improbable, high-impact events.

Olynyk received a Diploma of Visual Art from what is now Alberta University of the Arts in Calgary (1983) and an MFA with distinction from the California College of the Arts (1988), then spent four years in Japan as a Monbusho and Tokyu Foundation research scholar. She taught at the University of Michigan from 1999 to 2007, becoming the first non-scientist appointed to its Life Sciences Institute in 2005. From 2007 to 2020 she was founding director of the Graduate School of Art at Washington University in St. Louis, where she is the Florence and Frank Bush Professor of Art. She also co-chairs New York’s LASER Talks series.

Her solo exhibitions include Sensing Terrains at the National Academy of Sciences, Washington, D.C. (2006), and Dark Skies at the UCLA Art|Sci Center (2012), which named her its inaugural Medicine + Media Arts Fellow in 2020. Her other fellowships include the Helmut S. Stern Fellowship at the University of Michigan, and her work is in collections including Harvard’s Fogg Art Museum. Bruno David Gallery presented her solo exhibition Probe in 2008, accompanied by the catalogues Probe and Sensing Terrains, and has since shown The Mutable Archive (2020), Oculus (2020) and Black Swan in Three Variations (2024 and 2025).

SELECTED WORKS

EXHIBITIONS

BRUNO DAVID GALLERY, ST. LOUIS

Black Swan in Three Variations (Project Room)

Solo exhibition
7 November – 20 December 2025

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BRUNO DAVID GALLERY, ST. LOUIS

Black Swan in Three Variations

Solo exhibition
20 September 2024 – 25 January 2025

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NEWS

SYMPOSIUM

Unstable Evidence: Art, Data, and the Culture of Health

Washington University in St. Louis, St. Louis, October 2026

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TALK

Online discussion in the Color, Light, Motion lecture series

David Bermant Foundation and Harvestworks, online, September 2026

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PERFORMANCE

The Mutable Archive: A Cure for Immortality

Experimental Media Performance Lab, UC Irvine, Irvine, February 2026

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PUBLICATIONS

SELECTED PRESS

REVIEW

Allegories of Information | Vienna Art Week

Right Click Save, Will Corwin, November 2025

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FEATURE

The Contagion of Everyday Life

The Common Reader, Jeannette Cooperman, April 2020

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PRESS

Black Swan in Three Variations

Meer, September 2024

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REVIEW

On View: “Umwelt”

SciArt Magazine, Michal Gavish, April 2020

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FEATURE

Patricia Olynyk Details Her Inspiration Behind ‘Oculus’ Artwork

Ladue News, Bryan Hollerbach, December 2020

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REVIEW

Truth in the Visual Arts: Skepticism in the Work of Ellen K. Levy and Patricia Olynyk

The Brooklyn Rail, William Corwin, April 2016

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