Thomas Sleet

Sculptor, born 1956 in St. Louis, Missouri. Lives and works in St. Louis.

DETAILS

Born: 1956, St. Louis, Missouri

Lives and works: St. Louis, Missouri

Education: B.F.A., Ceramics and Sculpture, Washington University in St. Louis, 1988; B.A., Columbus College of Art and Design, 1974

Media: Sculpture, assemblage, mixed media

Represented by: Bruno David Gallery, Saint Louis

RESOURCES

Biography and CV (PDF) ↗

Catalogues and e-books ↗

News on Good Art News ↗

Instagram ↗

Request price and availability

About Thomas Sleet

Thomas Sleet (born 1956, St. Louis) is an American sculptor based in St. Louis who builds assemblages from reclaimed wood, cement, ground red brick, and mirror, drawing on the natural formations of creeks, streams, and rivers.

In this current body of work, Thomas Sleet continues an investigation into the structural dynamics of repeating forms and the interrelationships between resultant internal and external spaces. The evidence provided by these experiments evokes natural structure, synthetic assembly and the possibilities of interface between. This work is inspired by methods of building found in nature; “I get inspiration from natural formations of earth, rock, and debris typically found along creeks, streams, and rivers.” The materials Sleet employs: cement, wood, ground red brick, carpet and mirror – echo the colors, textures and surfaces of these natural topographies.

Sleet works primarily with recycled and reclaimed materials, and does so because there is a story or history inherent in these objects– like a spirit. Working with these material histories, [spirits] enables the artist to articulate concepts and principles that transcend specific composition, material bias and scale. Shape and form evoke function and includes both positive and negative form function. Meaning that the positive form can serve as vessel, shell, solid or fluid and the surface can even be permeable: Effigy, shrine, vestibule, crucible, reservoir, altar, vessel, obelisk, and portal. Thomas Sleet attended Columbus College of Art and Design and Washington University in St. Louis - Sam Fox School of Design and Visual Arts, where he received his B.F.A.

Selected Works by Thomas Sleet

For prices and availability, email info@brunodavidgallery.com or call +1 314 696 2377.

TOPOLOGY
2026
Wood, plaster, cement, tar, marble dust, earth
90 H x 192 W x 12 D inches (228.6 × 487.68 × 30.48 cm)

ARK OF SILENCE
2026
Wood, MDF, black iron oxide, rust, chemical wash
84 H x 72 W x 24 D inches (213.86 × 182.88 × 60.96 cm)

DOWNRIVER. DOWNWIND
2024
bandage, tree limb, skid, acrylic, cement
60 H x 12 W x 32 D inches (152.4 × 30.48 × 81.28 cm)

GROUND VESSEL: CRUCIBLE
2026
bandage, acrylic, gourd
53.34 H x 30 W x 7 D inches (152.4 × 76.2 × 17.78 cm)

TEMPLE OF SILENCE [PROTOTYPE]
2026
Wood, acrylic, charring, marble dust
15.50 H x 12.50 W x 33 D inches (39.37 × 31.75 × 83.82 cm)

TEMPLE OF SOLACE [PROTOTYPE]
2025
Wood, polyurethane foam, plaster, acrylic
20 H x 20 W x 20 D inches (50.8 × 50.8 × 50.8 cm)

UP RIVER: OARS OF OUR FATHERS
2025
Wood, charring, shoe polish, linseed oil
96 H x 72 W x 24 D inches (four elements) (243.84 × 182.88 × 60.96 cm)

BASE ELEMENT I
2026
Wood, polyurethane foam, plaster, marble dust, acrylic
28 H x 16.25 W x 15 D inches (71.12 × 41.28 × 38.1 cm)

I I
2026
Wood, charring, shoe polish, linseed oil NFS

I : SEAT OF INTEGRITY
2026
Wood, acrylic
12 H x 50 W x 10 D inches (30.48 × 127 × 25.4 cm)

DOWNRIVER: VESSEL
2024
Tar paper, acrylic, iron rust, marble dust
16.75 H x 75 W x 1.5 D inches (42.54 × 190.5 × 3.81 cm)

Sky Temple II
2024
Wood, acrylic paint, charring
10.5 x 10.5 x 4.75 inches

Bone River
2007
Cement, acrylic, and sawdust on acrylic Mat mounted on panel
57 15/16 x 55 in (147.3 x 139.7 cm)

Volcanoa
2015
Mixed media on wood
50 x 15 15/16 x 22 1/16 in (127 x 40.6 55.9 cm)

Emergence
2018
Wood and acrylic paint
9 7/16 x 12 8/16 x 1 11/16 in (24.1 x 31.8 x 4.4 cm)

Shamans House
2018
Wood, acrylic paint, and mirror
25 15/16 x 24 12/16 x 2 12/16 in (66 x 62.9 x 7 cm)

Integration Migration
2018
Wood, acrylic paint, and charring
17 1/16 x 16 7/16 x 7 15/16 in (43.2 x 41.9 x 20.3 cm)

Congregation
2019
Wood, acrylic paint, cement, and skid
24 4/16 x 28 11/16 x 7 1/16 in (61.6 x 73 x 17.8 cm)

Mountain Temple
2019
Wood, acrylic paint, charring, and shoe polish
32 1/16 x 32 15/16 x 6 7/16 in (81.3 x 83.8 x 16.5 cm)

Integration of Culture
2019
Wood, cement, and acrylic paint on aluminum
31 x 30 x 4 in (78.7 x 76.2 x 10.2 cm)

Ancestral Tracks, They Walked in Grace
2021
D-print on Hahnemühle cotton archival paper
15 x 55 8/16 in (38.1 x 141 cm)

Exhibitions at Bruno David Gallery

2026 · Main Gallery

Down River: Prayer is Verb
September 4 – October 31, 2026

2026 · Window on Forsyth

I : Seat of Integrity
September 4 – October 31, 2026

2019 · Solo exhibition

Integration: Sacred Space

2019 · Window on Forsyth

Volcanoa

2014 · Solo exhibition

Modem: Topology

2007 · Solo exhibition

Thomas Sleet: Traces

Publications

Integration: Sacred Space, catalogue for the 2019 exhibition, Bruno David Gallery Publications. Read the e-book

Modem: Topology, catalogue for the 2014 exhibition, with an essay by David Lobbig, Bruno David Gallery Publications. Read the e-book

Traces, catalogue for the 2007 exhibition, Bruno David Gallery Publications. Read the e-book

Selected Press

Bret Schneider, “River Ark,” Midwest Art Quarterly, September 2024.

James A. Anderson, “Gateway to Nature,” Miami Herald, October 2022.

Scott Marion, “‘River Ark’ Connect Art with Nature,” Edwardsville Intelligencer, October 2022.

Kerry Marks, “Thomas Sleet,” interview, HEC-TV, September 2019.

More news on Good Art News ↗

CV

Selected from the artist’s biography. Download the full biography and CV (PDF).

Selected Solo Exhibitions

2026 Down River: Prayer is Verb, Bruno David Gallery, Saint Louis

2026 I : Seat of Integrity, Window on Forsyth, Bruno David Gallery, Saint Louis

2022–24 River Ark, site-specific sculpture, Audubon Center at Riverlands, West Alton

2019 Integration: Sacred Space, Bruno David Gallery, Saint Louis (catalogue)

2019 Volcanoa, Window on Forsyth, Bruno David Gallery, Saint Louis

2014 Modem: Topology, Bruno David Gallery, Saint Louis

2007 Thomas Sleet: Traces, Bruno David Gallery, Saint Louis (catalogue)

2003 Thomas Sleet, D-Zine Gallery, University City, Missouri

2002 Thomas Sleet: Art, Architecture, Energy, Mitchell Museum, Mount Vernon, Illinois

2001 Thomas Sleet, Harwell Museum of Art, Poplar Bluff, Missouri

2000 Thomas Sleet, D-Zine Gallery, University City, Missouri

1997 PostUrbanAfricView, Vaughn Gallery and Cultural Center, Saint Louis

1997 Thomas Sleet, Urban League, Saint Louis

1994 Spirit of the Root, Portfolio Gallery, Saint Louis

Selected Group Exhibitions

2024 OVERVIEW_2024, Bruno David Gallery, Saint Louis

2023 Visual Dialogue, Bruno David Gallery, Saint Louis

2022 Among Friends, Bruno David Gallery, Saint Louis

2021 Bilingual: Abstract & Figurative, Bruno David Gallery, Saint Louis

2016 AND / OR, Bruno David Gallery, Saint Louis (catalogue)

2004 20th Anniversary Show, Elliot Smith Contemporary Art, Saint Louis

1996 Black and Jewish Artists Sharing Images, Maryville University, Saint Louis

1995 Black Creativity ’95, Museum of Science and Industry, Chicago

Collections

Saint Louis Art Museum

Washington University in St. Louis

Saint Louis University

University of Missouri–St. Louis

St. Louis Science Center

Lambert International Airport of St. Louis

Anheuser-Busch, Inc.

BJC Hospital

Square, Inc.

YWCA Greater St. Louis

Awards and Residencies

2001 Artist in Residence, The College School, Webster Groves, Missouri

1998 Henry O. Tanner Award, Portfolio Gallery, Saint Louis

1998 Artist in Residence, The College School, Webster Groves, Missouri

1997 First Place, Visions ’97, Portfolio Gallery, Saint Louis

1996 First Place, Visions ’96, Portfolio Gallery, Saint Louis

1981 Flair Award, Advertising Federation of St. Louis

1980 Third Place, Beaux Arts Competition, Columbus Gallery of Art, Columbus, Ohio

Bibliography

Buzz Spector, “AND / OR,” catalogue essay, Bruno David Gallery Publications, November 2017.

David Lobbig, “Modem Topology,” catalogue essay, Bruno David Gallery Publications, December 2014.

Chris Kahler, “Systematic Deconstructions,” catalogue essay, Bruno David Gallery Publications, January 2008.

Questions about Thomas Sleet

How can I buy a work by Thomas Sleet?

Bruno David Gallery represents the artist and handles the sale of available works. For prices and availability, email info@brunodavidgallery.com or call +1 314 696 2377.

Where can I see work by Thomas Sleet in person?

At Bruno David Gallery, 7513 Forsyth Boulevard, Saint Louis, Missouri 63105, during public hours or by appointment. Collections that hold his work include the Saint Louis Art Museum, Washington University in St. Louis, and Saint Louis University.

What does Thomas Sleet make?

Sleet makes sculptures and assemblages from recycled and reclaimed materials, including wood, cement, ground red brick, carpet, charred elements, and mirror. The forms often suggest vessels, shells, crucibles, arks, altars, temples, and portals.

Inquire about works by Thomas Sleet

For prices, availability, studio visits, or a private viewing, contact Bruno David Gallery at info@brunodavidgallery.com or +1 314 696 2377.

← All artists