Thomas Sleet (born 1956, St. Louis) is an American sculptor based in St. Louis who builds assemblages from reclaimed wood, cement, ground red brick, and mirror, drawing on the natural formations of creeks, streams, and rivers.
In this current body of work, Thomas Sleet continues an investigation into the structural dynamics of repeating forms and the interrelationships between resultant internal and external spaces. The evidence provided by these experiments evokes natural structure, synthetic assembly and the possibilities of interface between. This work is inspired by methods of building found in nature; “I get inspiration from natural formations of earth, rock, and debris typically found along creeks, streams, and rivers.” The materials Sleet employs: cement, wood, ground red brick, carpet and mirror – echo the colors, textures and surfaces of these natural topographies.
Sleet works primarily with recycled and reclaimed materials, and does so because there is a story or history inherent in these objects– like a spirit. Working with these material histories, [spirits] enables the artist to articulate concepts and principles that transcend specific composition, material bias and scale. Shape and form evoke function and includes both positive and negative form function. Meaning that the positive form can serve as vessel, shell, solid or fluid and the surface can even be permeable: Effigy, shrine, vestibule, crucible, reservoir, altar, vessel, obelisk, and portal. Thomas Sleet attended Columbus College of Art and Design and Washington University in St. Louis - Sam Fox School of Design and Visual Arts, where he received his B.F.A.
Born 1956, St. Louis, Missouri. Lives and works in St. Louis. B.F.A., Washington University in St. Louis, 1988; B.A., Columbus College of Art and Design, 1974. Represented by Bruno David Gallery, Saint Louis.
SELECTED WORKS
Thomas Sleet TOPOLOGY, 2026 Wood, plaster, cement, tar, marble dust, earth 90 H x 192 W x 12 D in. (228.6 x 487.7 x 30.5 cm)
Thomas Sleet ARK OF SILENCE, 2026 Wood, MDF, black iron oxide, rust, chemical wash 84 H x 72 W x 24 D in. (213.9 x 182.9 x 61 cm)
Thomas Sleet DOWNRIVER. DOWNWIND, 2024 Bandage, tree limb, skid, acrylic, cement 60 H x 12 W x 32 D in. (152.4 x 30.5 x 81.3 cm)
Thomas Sleet GROUND VESSEL: CRUCIBLE, 2026 Bandage, acrylic, gourd 53.34 H x 30 W x 7 D in. (152.4 x 76.2 x 17.8 cm)
Thomas Sleet TEMPLE OF SILENCE [PROTOTYPE], 2026 Wood, acrylic, charring, marble dust 15.5 H x 12.5 W x 33 D in. (39.4 x 31.8 x 83.8 cm)
Thomas Sleet TEMPLE OF SOLACE [PROTOTYPE], 2025 Wood, polyurethane foam, plaster, acrylic 20 H x 20 W x 20 D in. (50.8 x 50.8 x 50.8 cm)
Thomas Sleet UP RIVER: OARS OF OUR FATHERS, 2025 Wood, charring, shoe polish, linseed oil 96 H x 72 W x 24 D in., four elements (243.8 x 182.9 x 61 cm)
Thomas Sleet BASE ELEMENT I, 2026 Wood, polyurethane foam, plaster, marble dust, acrylic 28 H x 16.25 W x 15 D in. (71.1 x 41.3 x 38.1 cm)
Thomas Sleet I I, 2026 Wood, charring, shoe polish, linseed oil Not for sale
Thomas Sleet I : SEAT OF INTEGRITY, 2026 Wood, acrylic 12 H x 50 W x 10 D in. (30.5 x 127 x 25.4 cm)
Thomas Sleet DOWNRIVER: VESSEL, 2024 Tar paper, acrylic, iron rust, marble dust 16.75 H x 75 W x 1.5 D in. (42.5 x 190.5 x 3.8 cm)
Thomas Sleet Sky Temple II, 2024 Wood, acrylic paint, charring 10.5 x 10.5 x 4.75 in. (26.7 x 26.7 x 12.1 cm)
Thomas Sleet Bone River, 2007 Cement, acrylic, and sawdust on acrylic mat mounted on panel 57 15/16 x 55 in. (147.3 x 139.7 cm)
Thomas Sleet Volcanoa, 2015 Mixed media on wood 50 x 15 15/16 x 22 1/16 in. (127 x 40.6 x 55.9 cm)
Thomas Sleet Emergence, 2018 Wood and acrylic paint 9 7/16 x 12 1/2 x 1 11/16 in. (24.1 x 31.8 x 4.4 cm)
Thomas Sleet Shamans House, 2018 Wood, acrylic paint, and mirror 25 15/16 x 24 3/4 x 2 3/4 in. (66 x 62.9 x 7 cm)
Thomas Sleet Integration Migration, 2018 Wood, acrylic paint, and charring 17 1/16 x 16 7/16 x 7 15/16 in. (43.2 x 41.9 x 20.3 cm)
Thomas Sleet Congregation, 2019 Wood, acrylic paint, cement, and skid 24 1/4 x 28 11/16 x 7 1/16 in. (61.6 x 73 x 17.8 cm)
Thomas Sleet Mountain Temple, 2019 Wood, acrylic paint, charring, and shoe polish 32 1/16 x 32 15/16 x 6 7/16 in. (81.3 x 83.8 x 16.5 cm)
Thomas Sleet Integration of Culture, 2019 Wood, cement, and acrylic paint on aluminum 31 x 30 x 4 in. (78.7 x 76.2 x 10.2 cm)
Thomas Sleet Ancestral Tracks, They Walked in Grace, 2021 D-print on Hahnemühle cotton archival paper 15 x 55 1/2 in. (38.1 x 141 cm)
EXHIBITIONS
BRUNO DAVID GALLERY, ST. LOUIS
Down River: Prayer is Verb
Solo exhibition
4 September – 31 October 2026
Artist talk: Saturday, 10 October, 4 PM
WINDOW ON FORSYTH VITRINE, ST. LOUIS
I : Seat of Integrity
Installation
4 September – 31 October 2026
NEWS
PUBLICATIONS
SELECTED PRESS
PRESS
River Ark
Midwest Art Quarterly, September 2024
PRESS
Thomas Sleet, interview
HEC-TV
PRESS
Gateway to Nature
Miami Herald, October 2022
PRESS
AND / OR
Bruno David Gallery, November 2017
PRESS
‘River Ark’ Connect Art with Nature
Edwardsville Intelligencer, October 2022
PRESS
Systematic Deconstructions, essay by Chris Kahler
Bruno David Gallery, January 2008