William Morris

William Morris, Inbound/Outbound, 2024, one-channel video, color, sound
Portrait of William Morris

William Morris (born 1960) is a St. Louis-based video artist who makes single-channel videos, often by reworking existing footage such as home movies, found film and television news. He favors experimentation over conventional narrative: meaning comes from the editing, from layered and intercut images and from music chosen with as much care as the pictures. Recurring themes include memory, family history, identity, politics and the media.

Immediacy of Distance (2016) pairs Super 8 films his mother shot in north St. Louis in the 1970s with audio interviews in which she recalls her childhood in a Mississippi sharecropping family. The Protest Project (2020) opens with a scene from the 1976 film Network, then layers television coverage of the COVID-19 pandemic with footage of the protests that followed the killing of George Floyd. In re:memory, shown at the gallery in 2023, overlapping found footage from the 1930s to the 1980s is set to music by percussionist Henry Claude. A lo-fi, experimental approach links these works to his earliest videos.

Born in St. Louis, Morris earned a B.F.A. from Washington University in St. Louis in 1985 and an M.F.A. in video art from the School of the Art Institute of Chicago in 1988. He then worked at Kartemquin Films in Chicago as an assistant editor on Golub and a production assistant on Hoop Dreams. He has been a visiting artist at Washington University, a guest lecturer at Webster University and a guest instructor for Contemporary Art Museum St. Louis.

His videos have been screened at the Saint Louis Art Museum, Wesleyan University, the St. Louis International Film Festival and the Mildred Lane Kemper Art Museum, and the RISD Museum acquired Immediacy of Distance in 2022. His awards include a 2015 Creative Stimulus Award from Critical Mass for the Visual Arts and a 2019 Regional Arts Commission Artist Fellowship. Morris has shown at Bruno David Gallery since 2010, with solo exhibitions including Immediacy of Distance (2016), The Protest Project (2020) and re:memory (2023). Compendium (2026), his seventh solo exhibition there, surveyed twenty-five videos made between 1988 and 2025.

SELECTED WORKS

EXHIBITIONS

BRUNO DAVID GALLERY, ST. LOUIS

Compendium

Solo exhibition
6 March – 11 April 2026

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BRUNO DAVID GALLERY, ST. LOUIS

re:memory

Solo exhibition
20 January – 4 March 2023

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NEWS

SCREENING

Video screening with live audio by Jim McGowin

Joe’s Café, St. Louis, August 2026

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GROUP EXHIBITION

Space Mapping: Video Art Series

Mildred Lane Kemper Art Museum, St. Louis, February 2024

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ACQUISITION

RISD Museum acquires Immediacy of Distance

RISD Museum, Providence, April 2022

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PUBLICATIONS

SELECTED PRESS

PRESS

William Morris. Re: memory

Wall Street International Magazine, January 2023

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REVIEW

Review by John Blair of William Morris’ exhibition

All the Art, John Blair, June 2016

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TV

The Bruno David Gallery Reopens with Michael Byron, Patricia Olynyk, Chris Kahler, & William Morris

HEC-TV, Kerry Marks, September 2020

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FEATURE

Video art mixing memories of two generations debuts Friday in St. Louis

St. Louis Public Radio, Nancy Fowler, March 2016

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INTERVIEW

William Morris’ New Video, ‘The Protest Project,’ Is Ripped From The Headlines

St. Louis Public Radio, Sarah Fenske, September 2020

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INTERVIEW

Cut & Paste podcast: Mother’s 1970s Super 8 film is legacy and medium for exploring generations

St. Louis Public Radio, Nancy Fowler, July 2015

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